![]() It’s an odd, silly little movie, but it’s filled with charming bits, from Noel Coward as an aristocratic gangster to Benny Hill as a pervy prof to Quincy Jones’s jazzy score. “ You were only supposed to blow the bloody doors off!” Cockney con man Michael Caine, recently released from the clink, puts together a truly ludicrous heist to steal $4 million in Mafia gold bullion from the middle of Turin using Mini Coopers. Give him a hot rod, and he’s suddenly cooler. The film may not have the authentic details of those classic car movies that would start to come out a decade or so later, but Mitchum is, and will always be, the coolest cat onscreen. This wasn’t a fanciful movie creation it was an actual subculture. In this classic 1958 noir set in the world of illegal mountain moonshiners, Robert Mitchum plays a young vet working as a transporter - one of “those wild and reckless men, who transport illegal whisky from its source to its point of distribution,” using souped-up cars. Plus, let’s face it, the soundtrack is cool. And using an almost comically inexpressive Ryan Gosling (playing a stunt-driver-cum-getaway-driver, not unlike Ryan O’Neal in The Driver), he builds elaborate, deadpan set pieces that are unnerving in the way they promise graphic, brutal horrors that the film only occasionally shows. Director Nicolas Winding Refn knows how to shoot violence, but more important, he knows how to anticipate violence. This movie isn’t quite the masterpiece it was billed as at the time, but it is a fascinating blend of pop influences - the terse gearhead classics of the ’70s, the New Age stylings of the ’80s, the hip irony of the millennial era. ![]() Directed by Elliot Silverstein, this cult horror flick was a late-show mainstay: Any kid switching channels late at night in the ’80s when those ominous “Dies Irae” chords came on knew he or she was in for something special. ![]() But that’s kind of its genius, too: Because this car does all sorts of things a car could never actually do, you never quite know what to expect. Utterly ridiculous, at times laughably so. A black automobile, presumably from the depths of Hell, terrorizes a small town, and it’s local lawman James Brolin’s job to stop it. And now, "Mad Max: Fury Road" can call itself the best car movie in cinematic history.This is basically Jaws with a car, and it’s just as loony as that sounds. It's also been named one of the best films of the 2010s by publications like Time Out and. Already it's considered the greatest action movies of all time by Rolling Stone and one of the best sequels ever made by Time, Saturday Evening Post, and Empire. Looking back at the finished film - a cinematic achievement in editing, action, stunt coordination, practical effects, costume design, and storytelling - it's easy to see why "Fury Road" was so revolutionary, an adventure movie that featured women in prominent starring roles and contained some of the most impressive stunts ever captured on film.Īt the 88th Academy Awards, "Fury Road" was nominated for Best Picture and Best Director, and ended up winning the most awards at the ceremony, including Best Costume Design, Best Film Editing, and Best Production Design. ![]() IGN referred to the movie as a "masterpiece," saying, "Overall, this anime adaptation is not merely the best film that it could be, it's pretty much exactly what it should be: full of exciting, brilliantly-conceived races, primary-color characterizations and an irresistible sense of fun." Metacritic included it on their list " 15 Movies Critics Got Wrong," writing, "Its masterful opening backstory sequence, a standout performance by star Emile Hirsch, and great turns by John Goodman, Susan Sarandon, Matthew Fox, and Christina Ricci make 'Speed Racer' a cult film in the making."Ī soft reboot of the "Mad Max" franchise, Tom Hardy slips on the iconic shredded leather jacket of series protagonist Max Rockatansky, joining forces with a group of women fleeing a tyrannical warlord on an epic chase through the desert. In recent years, "Speed Racer"'s reputation has continued to improve. A commercial failure that earned $93 million on a $120 million budget (via Box Office Mojo), "Speed Racer" received mostly negative reviews from critics, leading to a Razzie Award nomination for "Worst Prequel, Remake, Rip-off or Sequel." However, the movie did receive praise for its stylized, anime-like approach and its impressive visual effects, which, as The Hollywood Reporter noted, were "stellar."
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